Download PDF by Kevin Patrick McDonald: At Home in Estranged Dreams: Contemporary Hollywood and the
By Kevin Patrick McDonald
This research examines modern Hollywood through concentrating on motion pictures made
between 1990 and 2010. With chapters at the double, conflict trauma, the undead, and
automata, I delineate facts of the uncanny inside person motion pictures besides the
underlying contradictions that symptomatically reply to the bigger fiscal conditions
and commercial practices that form the modern interval. all the 4 chapters
also function an social gathering to research theoretical and thematic issues drawn from
Sigmund Freud’s 1919 essay at the uncanny. in the course of the undertaking there's a strong
effort to hyperlink Freud’s preliminary account to next theoretical advancements with a
particular emphasis on introducing the paintings of Jacques Derrida. The cumulative objective of
these efforts is offer a severe origin for reading the latent disorientation within
the practices of latest Hollywood and capitalist society extra mostly.
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Additional resources for At Home in Estranged Dreams: Contemporary Hollywood and the Uncanny
The antre would seem to escape outward and away from the surrounding structures at the same time that it remains 10 Derrida describes this notion of a double science in the preface to Dissemination (D 4). See also his related comments in the interview ‘Positions’ collected in Positions (Trans. Alan Bass. Chicago: University of Chicago Press, 1981), esp. 41. 11 This aspect of the hymen can also be seen in Derrida’s treatment of the term pharmakon in the preceding essay. “Plato’s Pharmacy,” similar to its companion “The Double Session,” begins with a marginal reference to Plato’s Phaedrus.
See also his related comments in the interview ‘Positions’ collected in Positions (Trans. Alan Bass. Chicago: University of Chicago Press, 1981), esp. 41. 11 This aspect of the hymen can also be seen in Derrida’s treatment of the term pharmakon in the preceding essay. “Plato’s Pharmacy,” similar to its companion “The Double Session,” begins with a marginal reference to Plato’s Phaedrus. The common feature linking these different terms can be found in how Plato treats writing. “Plato thinks of writing, and tries to comprehend it, to dominate it, on the basis of opposition as such” (D 103).
The latter, he says, provides a more compelling lens because it is based on experience rather than visual resemblance (456).
At Home in Estranged Dreams: Contemporary Hollywood and the Uncanny by Kevin Patrick McDonald