Download e-book for kindle: Always Already New: Media, History, and the Data of Culture by Lisa Gitelman
By Lisa Gitelman
Choice notable educational name, 2007.
In Always Already New, Lisa Gitelman explores the novelty of recent media whereas she asks what it potential to do media historical past. utilizing the examples of early recorded sound and electronic networks, Gitelman demanding situations readers to contemplate the ways in which media paintings because the simultaneous topics and tools of historic inquiry. featuring unique case reports of Edison's first phonographs and the Pentagon's first disbursed electronic community, the ARPANET, Gitelman issues suggestively towards similarities that underlie the cultural definition of files (phonographic and never) on the finish of the 19th century and the definition of records (digital and never) on the finish of the 20th. therefore, Always Already New speaks to offer issues concerning the humanities up to to the emergent box of latest media reviews. documents and files are kernels of humanistic concept, after all—part of and get together to the cultural impulse to maintain and interpret. Gitelman's argument indicates creative contexts for "humanities computing" whereas additionally supplying a brand new point of view on such conventional humanities disciplines as literary history.
Making wide use of archival resources, Gitelman describes the ways that recorded sound and digitally networked textual content each one emerged as neighborhood anomalies that have been but deeply embedded in the reigning good judgment of public lifestyles and public reminiscence. after all Gitelman turns to the realm extensive net and asks how the historical past of the net is already being informed, how the net may additionally face up to heritage, and the way utilizing the internet should be generating the stipulations of its personal historicity.
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Extra resources for Always Already New: Media, History, and the Data of Culture
5 Even the most disadvantaged could occasionally self-enroll as members of society by dint of literacy acquisition. Frederick Douglass ( 1976, 89) called the antiabolitionist Baltimore newspapers “our papers,” when he recalled reading them as a youth, verbally including himself as a constituent of the very public, the very “us,” that had attempted systematically to deny his humanity. ” One of my points is that all new media emerge into and help to reconstruct publics and public life, and that this in turn has broad implications for the operation of public memory, its mode and substance.
Of course, rather like Groucho Marx not belonging to any club that would have him as a member, the new sense of public that emerged was diﬀerent or other than the old, in the least because the new public sphere was increasingly experienced as collective of consumers rather than citizens, increasingly restructured, as Habermas (1989) has indicated, by a cultural premium on publicity and 15 16 Introduction public taste. Not that I wish to romanticize the Habermasian bourgeois public sphere or overstate its debatable explanatory power.
33 What these examples suggest about media is far more interesting and complicated than the homogenization or Americanization of cultures, or the unparalleled purchase of the globalizing postmodern. Media help to “organize and reorganize popular perceptions of diﬀerence within a global economic order,” so that increasingly “one’s place is not so much a matter of authentic location or rootedness but one’s relationship to economic, political, technological, and cultural flows” (Curtin, 2001, 338).
Always Already New: Media, History, and the Data of Culture by Lisa Gitelman