Alternative Femininities: Body, Age and Identity (Dress, by Samantha Holland PDF
By Samantha Holland
Think an international the place oppressive, over-feminized media photographs of ladies have re-armed themselves with military boots, physique adjustments, and flamboyant hair. is that this simply one other fairy story, and if that is so, why can't or not it's a fact? Holland unpacks the parable of version womanhood and considers how a bunch of genuine girls outline and perform "femininity." How does getting older impact notions of femininity? What do girls take into consideration style, gender, and visual appeal as they get older and not more obvious in our media ruled society? Do they decide to tone down or remain "out there," and what motivates their selection? substitute Femininities offers voice to a formerly silent staff of ladies who fight to withstand sexist gender stereotypes, but age with variety, individuality and creativity. through how actual girls negotiate self-perception in an more and more image-conscious society, Holland presents a corrective to different bills of gender and femininity missing in actual data.
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Extra info for Alternative Femininities: Body, Age and Identity (Dress, Body, Culture)
The term ‘freak’ is a potentially shocking term due to its history, when it was applied to a person considered ‘abnormally formed’ and seen to be a curiosity or monstrosity (for example, in Victorian ‘freak shows’) (Russo, 1995; Mifflin, 2001). 8 ‘Freak’ is a term used by most of the participants 27 02 Alt. Femininities 30/4/04 3:16 pm Page 28 Alternative Femininities and the history of its usage lies in the North American counter-culture of the 1960s: hippies would also call themselves ‘freaks’ to reclaim the word from the people who used it as an insult.
Femininities 30/4/04 3:16 pm Page 37 Negotiating Fluffy Femininities querade are a form of disguise. The difference in the use of ‘mask’ and masquerade indicates different levels of control of our social roles. ‘I Am Not a Bit Fluffy’ There were a variety of terms used by participants to describe themselves; for example, the terms ‘townie’ and ‘freak’ are discussed in Chapter 2. Three more terms were used consistently by most of the participants when referring to traditional femininities. These were ‘fluffy’, ‘girly’ and ‘frothy’, used to denote a particular type of femininity to which participants placed themselves in opposition.
As Hardin observes, ‘the reclamation of the body [through tattooing] provides the means for the woman to alter the objectification of the female and to establish a space from which to speak’ (1999: 82). DeMello’s (2000) accounts are very similar, including a history of tattooing in the USA, a contexualisation of the ‘freak show’ and a section discussing the narratives of her empirical research, but primarily arguing that multiple tattooing can liberate the objectified body. The meanings and significance of tattooed women have a particular relevance to my own research as all of the participants had at least two tattoos.
Alternative Femininities: Body, Age and Identity (Dress, Body, Culture) by Samantha Holland