P. Santoni-Rugiu, P., J. Sykes's A History of Plastic Surgery PDF
By P. Santoni-Rugiu, P., J. Sykes
The booklet covers the historical past of cosmetic surgery from the outstanding achievements of historic civilizations e.g. India and Egypt, throughout the classical instances of historical Greece and Rome, as much as the progressive innovations built on the finish of the center Age, the Renaissance after which past. Surgical development has often trusted the parallel improvement of anatomy.
The wisdom of wound therapeutic and the way this has replaced and inspired cosmetic surgery is roofed within the first half. the improvement of the fundamental concepts of the area of expertise corresponding to pores and skin flaps, the grafting of pores and skin and different tissues are during the centuries.
In the second one half the improvement of varied surgical reconstructive techniques are defined. The reader will discover how innovations that are regimen at the present time have advanced due to the ingenuity of our surgical ancestors.
Finally partly 3 the beginning of plastic surgery, which has fulfilled the goals of our ancestors, is printed. Its quick improvement is defined stressing the efforts required to beat the prejudices and criticism.
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Additional resources for A History of Plastic Surgery
Salmon [882, 883] as we will see in the chapter on the history of the skin flap. Manchot received a prize of 300 Deutschmarks from the University of Strasbourg, plus another 300 DM which had not been awarded the previous year, in recognition of his achievement. Despite the encouragement of Professor Schwalbe, who realized the importance of his The Anatomical Foundations of Surgery research, Manchot did not publish his results until three years later and in a very limited number of copies which were destined to languish on the dusty shelves of the library at the university’s anatomy institute.
In this way he obtained the 105 original copperplates and carried them off to London, where in 1689 he published an atlas entitled The Anatomy of the Human Body, with figures drawn from life by some of the best masters in Europe . The book consisted of the engravings by de Lairesse plus nine of his own. He made no acknowledgement of Bidloo’s authorship of the work, instead obliterating the name of the Dutchman on the title page and inserting his own in the cartouche. Victim of one of the most blatant cases of plagiarism in the history of medicine, Bidloo made a formal complaint to the 33 Royal Society of London: Gulielmus Cowper, criminis literari citatus…  which included his correspondence with the English anatomist, but Cowper blandly denied that Bidloo held any rights over the illustrations and, despite the overwhelming evidence against him, the Royal Society took no action in the matter.
A vignette on the cover shows us that the physician was aided in his task by a new invention, the camera obscura. The comparative anatomy illustrations were the work of another Dutch artist, Jacob Schijvoet, and show the skeletons of different species in curious attitudes. The human anatomical structures are depicted life-sized and each illustration is decorated with vignettes and osteological motifs. 33 Govard Bidloo (1649–1713) (Fig. 34) was a contemporary of Harvey and professor at the University of Leiden (after 1688).
A History of Plastic Surgery by P. Santoni-Rugiu, P., J. Sykes