Louis Kaufman's A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me PDF

By Louis Kaufman

ISBN-10: 0299183807

ISBN-13: 9780299183806

This attention-grabbing memoir, written by way of one of many maximum American violinists of the 20 th century, recounts a rare existence in music.
    Once known as by means of the New York Times "a violinist's violinist and a musician's musician," Louis Kaufman used to be born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical artwork. He used to be the unique violist of the Musical artwork Quartet (1926-1933) and gained the Naumburg Award in 1928, the yr of his American solo recital debut in New York's city Hall.
    During those early years, he performed chamber track with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, between others. After acting the violin solos for Ernst Lubitsch's 1934 movie The Merry Widow, Kaufman turned the main wanted violin soloist in Hollywood, enjoying in a few 500 motion pictures, together with Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He labored heavily with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklós Rózsa, Max Steiner, Franz Waxman, and Victor younger.     
    Extraordinary because it turns out this day, Kaufman used to be principally answerable for bringing the once-forgotten track of Antonio Vivaldi to its present reputation around the globe between either classical musicians and the overall inhabitants of song lovers.
    The ebook incorporates a track CD with Kaufman’s performances of Vivaldi’s Concerto 2 of op. 9, Havanaise by way of Camille Saint Saëns, Nocturne for Violin and Piano through Aaron Copland, Much Ado approximately not anything Suite for violin and piano by means of Erich Wolfgang Korngold, and Smoke will get on your Eyes through Jerome Kern, between different favorites.

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Extra info for A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me

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Solomon, for whom the Federal Court House in Portland was named in 1989. Papa frequently took me and Mother to concerts, so I heard the dazzlingly beautiful sound of Mischa Elman, the magical tone and charm of Fritz Kreisler, the dashing and awe-inspiring performances of Jascha 22 • A Fiddler's Tale Heifetz, the impressive musicality of Efrem Zimbalist, and the extraordinary vitality of Maud Powell, the most celebrated woman violinist of her time. Maud Powell visited Portland a few times and at one of her last recitals was accompanied by a talented young pianist, Arthur Loesser, who later recalled Papa bringing me in tow to play for them.

Chamber music was his battlefield. Kneisel was mainly concerned with transmitting the inner spirit and nobility of the music of Haydn, Mozart, Beethoven, Schubert, and Brahms. His devotion to the inspired, pure discourse of four stringed instruments opened our young minds to transcendental vistas of human emotions. Dr. Abram Chasins described for me his impressions of Kneisel's quartet, which he had heard many times in New York (I never heard them, since the quartet had disbanded before my arrival).

Rozika's unflagging maternal care and general solicitude for my well being saw to it that I was seldom left alone to get into mischief. However, Los Angeles produced the strongest impact on me. I met my uncle Osias "Jack" Kaufman, who kindly became our guide. The city was brilliant with sunshine, waving palm trees, and clear air (alas, now only a fond memory). We rode in a red streetcar to Venice at the beach, where I swam and marveled at the smooth sandy strand. I devoured unforgettable ice cream cones.

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A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me by Louis Kaufman

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