A Companion to Romantic Poetry - download pdf or read online

By Charles Mahoney (ed.)

ISBN-10: 1405135549

ISBN-13: 9781405135542

ISBN-10: 1444390651

ISBN-13: 9781444390650

Via a chain of 34 essays through major and rising students, A spouse to Romantic Poetry finds the wealthy variety of Romantic poetry and exhibits why it maintains to carry this type of very important and fundamental position within the heritage of English literature.

  • Breaking unfastened from the limits of the traditionally-studied authors, the gathering takes a revitalized method of the sector and brings jointly one of the most fascinating paintings being performed this present day
  • Emphasizes poetic shape and method instead of a biographical strategy
  • Features essays on construction and distribution and the several colleges and activities of Romantic Poetry
  • Introduces modern contexts and views, in addition to the problems and debates that proceed to force scholarship within the box
  • Presents the main accomplished and compelling choice of essays on British Romantic poetry at the moment to be had

Content:
Chapter 1 Mournful Ditties and Merry Measures: Feeling and shape within the Romantic brief Lyric and music (pages 7–24): Michael O'neill
Chapter 2 Archaist?Innovators: The Couplet from Churchill to Browning (pages 25–43): Simon Jarvis
Chapter three the enticements of Tercets (pages 44–61): Charles Mahoney
Chapter four To Scorn or To “Scorn no longer the Sonnet” (pages 62–77): Daniel Robinson
Chapter five Ballad assortment and Lyric Collectives (pages 78–94): Steve Newman
Chapter 6 Satire, Subjectivity, and Acknowledgment (pages 95–106): William Flesch
Chapter 7 “Stirring shades”: The Romantic Ode and Its Afterlives (pages 107–122): Esther Schor
Chapter eight Pastures New and previous: The Romantic Afterlife of Pastoral Elegy (pages 123–139): Christopher R. Miller
Chapter nine The Romantic Georgic and the paintings of Writing (pages 140–158): Tim Burke
Chapter 10 Shepherding tradition and the Romantic Pastoral (pages 159–175): John Bugg
Chapter eleven Ear and Eye: Counteracting Senses in Loco?descriptive Poetry (pages 176–194): Adam Potkay
Chapter 12 “Other voices speak”: The Poetic Conversations of Byron and Shelley (pages 195–216): Simon Bainbridge
Chapter thirteen The Thrush within the Theater: Keats and Hazlitt on the Surrey establishment (pages 217–233): Sarah M. Zimmerman
Chapter 14 Laboring?Class Poetry within the Romantic period (pages 234–250): Michael Scrivener
Chapter 15 Celtic Romantic Poetry: Scotland, eire, Wales (pages 251–267): Jane Moore
Chapter sixteen Anglo?Jewish Romantic Poetry (pages 268–284): Karen Weisman
Chapter 17 Leigh Hunt's Cockney Canon: Sociability and Subversion from Homer to Hyperion (pages 285–301): Michael Tomko
Chapter 18 Poetry, dialog, neighborhood: Annus Mirabilis, 1797–1798 (pages 302–317): Angela Esterhammer
Chapter 19 Spontaneity, Immediacy, and Improvisation in Romantic Poetry (pages 319–336): Angela Esterhammer
Chapter 20 superstar, Gender, and the demise of the Poet: The secret of Letitia Elizabeth Landon (pages 337–353): Ghislaine McDayter
Chapter 21 Poetry and representation: “Amicable strife” (pages 354–373): Sophie Thomas
Chapter 22 Romanticism, activity, and overdue Georgian Poetry (pages 374–392): John Strachan
Chapter 23 “The technology of Feelings”: Wordsworth's Experimental Poetry (pages 393–411): Ross Hamilton
Chapter 24 Romanticism, Gnosticism, and Neoplatonism (pages 412–424): Laura Quinney
Chapter 25 Milton and the Romantics (pages 425–441): Gordon Teskey
Chapter 26 “The believe of to not suppose it,” or the Pleasures of putting up with shape (pages 443–466): Anne?Lise Francois
Chapter 27 Romantic Poetry and Literary concept: The Case of “A shut eye did my Spirit Seal” (pages 467–482): Marc Redfield
Chapter 28 “Strange Utterance”: The (Un)Natural Language of the elegant in Wordsworth's Prelude (pages 483–502): Timothy Bahti
Chapter 29 the problem of style within the Romantic elegant (pages 503–520): Ian Balfour
Chapter 30 Sexual Politics and the functionality of Gender in Romantic Poetry (pages 521–537): James Najarian
Chapter 31 Blake's Jerusalem: Friendship with Albion (pages 538–553): Karen Swann
Chapter 32 the area with no us: Romanticism, Environmentalism, and Imagining Nature (pages 554–571): Bridget Keegan
Chapter 33 moral Supernaturalism: The Romanticism of Wordsworth, Heaney, and Lacan (pages 572–588): Guinn Batten
Chapter 34 The endurance of Romanticism (pages 589–605): Willard Spiegelman

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Example text

Churchill just stops short of the one Pope there specifies, breeze / trees, by finding “seas” instead. The whole passage also recalls Pope’s mockery of those who pursue sound for its own sake in The Dunciad (Pope 1999: 316). The masculine “vigour” which smooth poets supposedly “mangle” gives the clue to the second part of Churchill’s maneuver, one which was to be repeated in many different ways by later coupleteers – to prefer, or to claim to prefer, Dryden. IN polish’d numbers, and majestic sound, Where shall thy rival, Pope, be ever found?

Browning has accommodated to the couplet a syntactic propulsion as powerful as Milton’s. The resulting stretch of verse freed from the props and buttresses of punctuation is of a flight and extent remarkable in themselves. It is much more than an amplificatory device for the paraphrasable content – an item which is not always, in any case, to be obtained on every page of Sordello. To tell the story in this way, though, risks writing literary history from the standpoint only of the victors. In particular, it risks representing the history of the couplet in this period as a triumph of innovation over backwardness.

Thomas Lovell Beddoes: Plays and Poems, ed. H. W. Donner. London: Routledge & Kegan Paul. Beer, John (1998). Providence and Love: Studies in Wordsworth, Channing, Myers, George Eliot, and Ruskin. Oxford: Oxford University Press. Blake, William (1988). The Complete Poetry and Prose of William Blake, commentary Harold Bloom; ed. David V. Erdman. Newly rev. edn. New York: Anchor. Byron, Lord (2000). Lord Byron: The Major Works, ed. Jerome J. McGann. Oxford: Oxford University Press. Chernaik, Judith (1972).

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